Request resources for learning mandolin crosspicking combined with chord-based improvisation, plus country/folk-style songs to practice (including for octave mandolin).
Filtered: discussion
Discuss how major and minor pentatonic shapes map identically on guitar, linking modes, intervals, and fretboard visualization, with tips for moving beyond CAGED boxes.
Advocates finding a teacher who teaches efficient practice, outlining goals, targeting weaknesses, staying relaxed, and strategies to progress faster.
Curate and discuss recommended easy jazz guitar solos to learn by ear, with a multi-teacher video roundup to build vocabulary, improvisation, and transcription skills.
Solicits fingerstyle acoustic guitar exercise ideas and routines to build right-hand technique and improve practice structure.
Recommend Steve Stine’s 12-part Fretboard Mastery playlist and outlines a structured weekly plan to build foundational guitar understanding without random tutorials.
Asks for guidance on deepening chord‑progression skills—why they work and how to “tell a story”—inviting theory, voice‑leading, and practice strategies.
Analyze why the Am–E–C–D–F–Am–B7–E progression works, touching on chromatic bass motion, modal mixture, and functional harmony.
Explores practicing scales through the circle of fifths across modes and asks for additional effective exercises and strategies for learning scales and intervals.
Seeks community recommendations on essential music-theory and reading topics a sidelined guitarist should study with their teacher.
Seek guidance on when to use sus4 and add9 chords on various scale degrees and how they function within a key.
Present a video defending the minor ninth interval beyond dominant chords, with timecoded classical, jazz, and pop examples illustrating its expressive harmonic use.
Presents five beginner-friendly jazz soloing exercises for nailing chord changes and flowing through progressions, with a video and prompt for additional practice ideas.
Discuss Holdsworth’s idea that Dorian is the most fundamental scale due to interval symmetry, with links to visualizations and further resources for guitarists.
Ask for strategies to remember diatonic chords in each key, likely discussing Roman numerals, scale degrees, and circle-of-fifths approaches.
Explain how to link major and relative minor scale shapes across the fretboard for improvisation, including shifting patterns three frets and practical practice advice.
Seeks strategies to move beyond pentatonic box shapes into musical improvisation and note targeting, asking whether mastery comes with time and specific practice.
Seeks recommendations for effective methods and tutorials to memorize the guitar fretboard.
Asks how to choose major scale positions for soloing over G–C–D and whether to shift positions or stay put while targeting chord tones.
Seeks feedback on a fretboard method for playing major scales and modes anywhere, plus guidance on interval shapes, position shifts, and potential pitfalls.
Debate learning major scale versus minor pentatonic first, outlining their relationships, movable shapes, and beginner practice advice.
Offer a candid reflection on escaping a guitar plateau by refocusing on the blues/pentatonic scale, phrasing, and learning songs instead of chasing more scales.
Explores why players prefer five CAGED major-scale positions over a single repeating shape, debating memorization, fretboard visualization, and 3-notes-per-string consistency for speed.
Asks for effective methods to practice major scales on mandolin, comparing octave-based routines with full first-position patterns and counter-clockwise circle-of-fifths sequencing.
Request tips for improving pentatonic-based soloing over 12-bar blues backing tracks.