Teach mandolin arpeggios across all keys and show how to use chord tones to harmonize a melody, with exercises for speed and accuracy.
Concept
Arpeggios
13 hand-picked videos and articles for guitar and mandolin, each with a short summary so you can choose where to start.
Teach a Jethro Burns–inspired mandolin arpeggio warm-up covering G–Am–D shapes, position shifts, and alternate picking to build fretboard fluency and hand synchronization.
Demonstrates practical, advanced uses of the CAGED system for chords across the neck, minor and extended voicings, and arpeggio applications.
Explains advanced mandolin practice focused on chord-tone improvisation, arpeggios, and making the changes across circle-of-fifths progressions, with examples from bluegrass and jazz.
Offer 144 right-hand fingerstyle roll exercises using all PIMA permutations across common string sets, with practice tips for clean, consistent articulation.
Demonstrates practical phrases and strategies for improvising over jazz ii–V–I changes on guitar, including ear-training, chord-tone targeting, and position-based fretboard mapping.
Teach beginners major arpeggio theory, interval stacking, and practical fretboard shapes to start chord‑tone soloing on lead guitar.
Teach how to improvise over chords by internalizing arpeggio shapes and chord tones, starting with major triad forms and step-by-step exercises.
Show practical strategies for turning triads into lead guitar licks that nail chord changes and create melodic solos, with fretboard shapes and examples.
Explain how mapping I–IV–V triads within CAGED shapes unlocks melodic playing across the fretboard, with examples and a handy fretboard tool link.
Teach a two-shape fretboard visualization to connect pentatonic, blues, major/melodic/harmonic scales and common arpeggio patterns across the neck, with practice guidance.
Introduce a free app with note, scale/CAGED, arpeggio, and progression tools to visualize the fretboard, practice note recall, and improvise over iRealPro changes.
Teach a simple one-string drill to target chord tones at changes so guitar solos resolve musically instead of sounding like random scale runs.